In The Prophet by Khalil Gibran, marriage is first described as a life-long, even eternal union where two live life as one. But then the prophet goes on to say there should also be spaces in the togetherness, that the winds and seas should dance and move between, just as the pillars of the temple stand apart and the strings of a lute remain alone though they quiver with the same music. It can be an initial shock to read these thoughts through the lens of our ideal notions of romantic love, but only because the ideal is balanced with the practical realities of married life and human nature: the need for individual identity in real relationship.
In The Prophet by Khalil Gibran, marriage is first described as a life-long, even eternal union where two live life as one. But then the prophet goes on to say there should also be spaces in the togetherness, that the winds and seas should dance and move between, just as the pillars of the temple stand apart and the strings of a lute remain alone though they quiver with the same music. It can be an initial shock to read these thoughts through the lens of our ideal notions of romantic love, but only because the ideal is balanced with the practical realities of married life and human nature: the need for individual identity in real relationship.